The works of Chinese painting and calligraphy in this loan exhibition trace back to the former Sōraikan collection of Abe Fusajirō (1868–1937) that his son Abe Kōjirō (1897–1990) donated to the Osaka City Museum of Fine Arts in 1943. Abe Fusajirō at the time had come under the influence of the famous Sinologists Naitō Konan (1866–1934) and Nagao Uzan (1864–1942) in the Kansai region and actively sought to purchase fine painting and calligraphy from China and in Japan, resulting in the acquisition of such famous works as Zhang Sengyou’s (479–?) “The Five Planets and Twenty-eight Constellations,” Wu Daoxuan’s (?–792) “The Heavenly King Sees Off His Son,” Li Cheng (919–967) and Wang Xiao’s (fl. mid–10th c.) “Reading the Memorial Stele,” Yan Wengui’s (fl. latter half of the 10th-first half of the 11th c.) “Pavilions Among Mountains and Rivers,” Yi Yuanji’s (fl. latter half of the 11th c.) “Gathering of Gibbons,” Mi Youren’s (1074–1151) “Distant Peaks, Clearing Clouds,” Gong Kai’s (1222–?) “Emaciated Horse,” and Zheng Sixiao’s (1241–1318) “Ink Orchid.” Many of these had once been in the imperial collection of the Qing dynasty, and some are even the only surviving examples of their kind. These works from Japan reflect the unique insights into the connoisseurship of Chinese painting and calligraphy within the cultural circles at that time and place. In preparing for this loan, the National Palace Museum has also carefully selected specific related works from its own collection to display together with these masterpieces from Osaka, thereby highlighting the extraordinary holdings of both institutions and a history of Chinese painting and calligraphy in general.
This is not only the first large-scale loan of Chinese painting and calligraphy for exhibit at the National Palace Museum, it also represents the first time that the Osaka City Museum of Fine Arts is displaying masterpieces from its collection in Taiwan. This exhibition is through September 21, 2021.
Source: National Palace Museum in Taipei